Meg Pierce
Statement
My focus has become more intimate as I aged. Early watercolor paintings were inspired by  NASA mosaic photos from space. My complex mandala collages using photos and maps are archetypal forms.  Recently I use vintage lace and fabrics, sewing notions, and stitching along with paint on canvas. Three-dimensional expressions have followed.
 
 Beyond a nostalgic appeal of historic fiber, I aesthetically respond to the delicate variations of color and line of embroidery and lace. I do not use these resources ironically. I have come to own this delicacy and its floral femininity as formal qualities.   I have found inspiration in the complex patterns of vintage lace, its feminine aura and textural richness. I honor the work of the anonymous women who have left us an art of subtlety and quietude. 
   Other influences are the richly decorated Indian “palampore” bed covers of the18th century. All complex curvilinear floral botanical themes delight me.
 
 However, the grids and muted colors I use form counterpoints to floral arabesques. The repetitive grid and a limited palette reveal a contemporary viewpoint and represent my reverence for Agnes Martin, a personal hero.
 
  This body of work creates a complex visual experience. But on another level the stitching, fabric, lace, string, pins and layers of paint are also my metaphors for interior life. Our spirit is constructed year by year with levels of experience and feeling. They become woven together and defend our center. The intricacy of this web often remains hidden, discovered only upon careful reflection.
 
I feel that in this later work I have found a way to align a contemporary aesthetic with a deep personal expression of my history and self: a delicate, meditative and peaceful art.
 
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